“Teenage: the prehistory of youth culture 1875-1945″ by Jon Savage
Reviews: “The definitive history of youth in revolt, from the gaslight age to the dawn of rock.”
-David Fricke, Rolling Stone
“Compulsive reading . . . Teenage is a rich, rewarding book that makes an important contribution to cultural history.” -Camille Paglia, The New York Times Book Review
“Resonant . . . Savage explores . . . [an] array of teenager types, from the wild, sensational precursors to juvenile delinquency to the straight-laced good-citizen proto-preppie. It’s Savage’s claim to being a great historian, and it’s mighty convincing.” -The Onion
“The Hip Hop Wars: what we talk about when we talk about hip-hop, and why it matters” by Tricia Rose
Amazon.com Product Description:
Hip-hop is in crisis. For the past dozen years, the most commercially successful hip-hop has become increasingly saturated with caricatures of black gangstas, thugs, pimps, and ’hos. The controversy surrounding hip-hop is worth attending to and examining with a critical eye because, as scholar and cultural critic Tricia Rose argues, hip-hop has become a primary means by which we talk about race in the United States.
In The Hip-Hop Wars, Rose explores the most crucial issues underlying the polarized claims on each side of the debate: Does hip-hop cause violence, or merely reflect a violent ghetto culture? Is hip-hop sexist, or are its detractors simply anti-sex? Does the portrayal of black culture in hip-hop undermine black advancement?
A potent exploration of a divisive and important subject, The Hip-Hop Wars concludes with a call for the regalvanization of the progressive and creative heart of hip-hop. What Rose calls for is not a sanitized vision of the form, but one that more accurately reflects a much richer space of culture, politics, anger, and yes, sex, than the current ubiquitous images in sound and video currently provide.
“The Ten-Cent Plague: the great comic book scare and how it changed America” by David Hajdu
From Publishers Weekly:
Starred Review. After writing about the folk scene of the early 1960s in Positively 4th Street, Hajdu goes back a decade to examine the censorship debate over comic books, casting the controversy as a prelude to the cultural battle over rock music. Fredric Wertham’s Seduction of the Innocent, the centerpiece of the movement, has been reduced in public memory to a joke—particularly the attack on Batman for its homoeroticism—but Hajdu brings a more nuanced telling of Wertham’s background and shows how his arguments were preceded by others. Yet he comes down hard on the unsound research techniques and sweeping generalizations that led Wertham to conclude that nearly all comic books would inspire antisocial behavior in young readers. There are no real heroes here, only villains and victims; Hajdu turns to the writers and artists whose careers were ruined when censorship and other legal restrictions gutted the comics industry, and young kids who were coerced into participating in book burnings by overzealous parents and teachers. With such a meticulous setup, the history builds slowly but the main attraction—EC Comics publisher Bill Gaines’s attempt to explain in a Senate committee hearing how an illustration of a man holding a severed head could be in good taste—holds all the dramatic power it has acquired as it’s been told among fans over the past half-century. (Mar.)
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Marc Bauerlein – The Dumbest Generation: how the digital age stupefies young Americans and jeopardizes our future (or, don’t trust anyone under 30)